Voyage 34: The Complete Trip

Voyage 34: The Complete Trip
Compilation album by Porcupine Tree
Released	6 June 2000
Recorded	June 1992-August 1993
Genre	Progressive rock, space rock
Length	70:40
Label	Delerium, Snapper
Porcupine Tree chronology
Lightbulb Sun (2000) Voyage 34: The Complete Trip (2000) Recordings (2001)
Alternative Cover
Cover of the 2004 re-issue designed by Lasse Hoile

Voyage 34: The Complete Trip is a compilation album by British progressive rock band Porcupine Tree. The individual tracks were recorded in 1992 or 1993, while the album itself was compiled and released in 2000, and then reissued again in 2004.

Background

The album originates from a single track, titled "Voyage 34", which was to be part of the Porcupine Tree's second studio album, Up the Downstair. Originally a 30-minute track intended to be the second disc of a double album, Wilson eventually decided to release "Voyage 34" independently of the rest of the album. Instead, it was released in two parts, as singles, as "Voyage 34 (Phase 1)" and "Voyage 34 (Phase 2)" in 1992. In 1993, Voyage 34: Remixes was released, containing two remixes of the originals. "Voyage 34 (Phase 3)" was a remix by the British electronic music group Astralasia, while "Voyage 34 (Phase 4)" was a remix by Wilson himself, along with future band member Richard Barbieri. A voice sample of Dead Can Dance's song "As the Bell Rings the Maypole Spins" is repeated throughout all four tracks.

Voyage 34: The Complete Trip compiles all four "phases" onto one album.

Concept

Despite being mostly instrumental, Voyage 34 can be considered a concept album, where the LSD trip of a young man called Brian is told with spoken words. Musically it is a fusion of progressive rock, psychedelic rock and trance music.

During a 2002 interview before the release of In Absentia, Steven Wilson said the following in regards to the release of Voyage 34 after being asked why the band released a 30-minute single:

"It was an anti-single. It was a thirty minute single about drugs and it had no vocals in it. I thought that no one is going to play this. But it charted anyway. It was the ultimate 'fuck you.' We have released four minute singles since then. But for Porcupine Tree to release a single is like an oxymoron. It's very difficult to take out a four minute chunk from an album and say 'Here we are. This totally encapsulates everything Porcupine Tree are about.' It's never been satisfactory to me to release a single. If you know the group, you know that from one minute we go from extreme metal riffing to ambient texture, the next minute we'll have a pop hook, the next minute we'll have some avant garde sample. All of these things are part of the album. How do you take a chunk of that? To me it's totally unrepresentative."^[1]

Wilson said of Voyage 34, in reflection, in 2012:

The whole point about "Voyage 34" was an exercise in genre. In that sense it stands apart from the rest of the catalogue...back in the early Nineties, there was an explosion in ambient music, a fusion of electronic music and techno music with the philosophy of people like Brian Eno and Tangerine Dream. I thought there was an interesting opportunity to do something that would bring progressive rock and psychedelia into that mixture. I wouldn’t say "Voyage 34" was a technical exercise, that makes it sound like a science project, but it was a one-off experiment in a particular genre in which I knew I wouldn’t be staying for very long. I was given a tape of a guy having a bad trip in the Sixties. It was an anti-LSD propaganda album and it was perfect to form a narrative around which I could form this long, hypnotic, trippy piece of music. And that was "Voyage 34". Even at the time, I think that sort of music was already passing. Music that is too attached to a trend very soon starts to sound very dated. I was always interested in existing outside the bubble of whatever was hip, and that kind of music was very briefly hip. "Voyage 34" sits inside that bubble. I’m still very proud of it. It was a unique piece of music, but of all the catalogue, it’s one of the pieces which relates most closely to the era that it was created in.^[2]

Reception

Professional ratings
Review scores
Source	Rating
DPRP	(8/10)[3]
Allmusic wonderful	[4]

Track listing

1. "Phase I" – 12:55 sample
2. "Phase II" – 17:31
3. "Phase III" – 19:29
4. "Phase IV" - 20:45

Note: The original vinyl release of phases 3 and 4 featured the full length version of phase IV, which ran only slightly longer than phase III. When the tracks were compiled for CD in 2000, this was cut to 13:42; there is about five minutes of silence after this, followed by a 2-minute hidden track, taking its duration to 20:45.

References

External links

• Porcupine Tree Official Website