Dancing Mothers
| Dancing Mothers | |
|---|---|
 | |
| Directed by | Herbert Brenon |
| Produced by |
Adolph Zukor Jesse Lasky |
| Written by | Forrest Halsey (scenario) |
| Based on |
Dancing Mothers by Edgar Selwyn and Edmund Goulding |
| Starring |
Alice Joyce Conway Tearle Clara Bow |
| Cinematography | J. Roy Hunt |
| Distributed by | Paramount Pictures |
Release dates |
|
Running time | 65 minutes (8 reels) |
| Country | United States |
| Language | Silent film (English intertitles) |
Dancing Mothers is a 1926 black & white silent film drama, produced by Paramount Pictures, in late 1925. The film was directed by Herbert Brenon, and stars Alice Joyce, Conway Tearle, and making her debut appearance for a Paramount Pictures film, Clara Bow. Dancing Mothers was released to the general public on March 1, 1926. The film survives on 16mm film stock and is currently kept at the Film & Television Archive of the University of California at Los Angeles (UCLA).
Synopsis
The film tells the story of a pretty mother, who was almost cheated out of life by a heartless husband and a thoughtless daughter.[1]
Cast
- Alice Joyce – Ethel "Buddy" Westcourt (played by Mary Young in play)
- Norman Trevor – Hugh Westcourt (played by Henry Stephenson in play)
- Clara Bow – Katherine "Kittens" Westcourt (played by Helen Hayes in play)
- Conway Tearle – Gerald "Jerry" Naughton (played by John Halliday in play)
- Eleanor Lawson – Irma (played also by Lawson in play; under the name Elsie Lawson)
- Dorothy Cumming – Mrs. Mazzarene
- Donald Keith – Kenneth Cobb
- Leila Hyams – Birdey Courtney
- Spencer Charters – Butter and Egg Man
Production notes
The film was adapted from a successful Broadway stage play by Edgar Selwyn and Edmund Goulding, and Paramount reportedly bought the rights for $45,000. Shooting began at Paramount's Astoria Studio in November 1925, after actress Betty Bronson, the star of Peter Pan (1924), was cast for the role of Katherine "Kittens" Westcourt by the studio, but was rejected after director Herbert Brennon reported to studio executives that "when she tried to be sexy, she looked like a little girl who wanted to go to the bathroom." After production ended in December 1925, Brennon reported to Paramount's top officials that Clara was not only very talented as an actress, but that she took direction very well.
Reception
- "A splendid picture containing mother appeal, flapper appeal and well balanced with comedy and a climax that's different, since 'they don't live happy ever after'".[2]
- "...it is an effective drama, well acted and Clara Bow is a real little modern."[3]
- "It is a picture that strikes home to the adult mind and is a tremendous indictment to every age."[4]
References
- ↑ La Crosse Tribune and Leader, March 24, 1926
- ↑ Bruce Fowler, movie theater manager, to The Reel Journal, March 20, 1926.
- ↑ The Emporia Gazette, April 13, 1926.
- ↑ Lowell Sun, March 27, 1926.
