Yury Trifonov

Yury Trifonov
Born Yury Valentinovich Trifonov
(1925-08-28)28 August 1925
Moscow
Died 28 March 1981(1981-03-28) (aged 55)
Moscow
Language Russian
Notable works The House on the Embankment, The Impatient Ones, The Old Man, Time and Place
Signature

Yury Valentinovich Trifonov (Russian: Юрий Валентинович Трифонов; 28 August 1925 – 28 March 1981) was a leading representative of the so-called Soviet "Urban Prose". He was considered a close contender for the Nobel Prize for Literature in 1981.[1][2]

Childhood and family

Trifonov was born in the luxurious apartments on the Arbat Street and, with a two-year interval in Tashkent, spent his whole life in Moscow. His father, Valentin Trifonov (1888–1938), was of Don Cossack descent. A Red Army veteran who commanded Cossacks in the Don during the civil war and later served as a Soviet official, he was arrested on 21/22 June 1937[3] and shot on 15 March 1938.[4][2] He was rehabilitated on 3 November 1955.[4]

Trifonov's mother, Evgeniya Abramovna Lurie (1904–1975), an engineer and accountant, was of half Russian and of half Jewish descent.[5] She spent eight years in a labour camp for not denouncing her husband.[2] She was released in 1945, and returned to Moscow in 1946. Later in life, she worked in a school library, and wrote children's books under the name E. Tayurina.[6] She was rehabilitated in 1955.[6] During their mother's imprisonment, Trifonov and his sister were raised by their maternal grandmother, Tatyana Aleksandrovna Lurie (née Slovatinskaya, 1879—1957), who had been a professional revolutionary and took part in the Russian Civil War. Trifonov's maternal grandfather, Abram Pavlovich Lurie (1875—1924), had been a member of an underground Menshevik group, and a cousin of Aaron Soltz.[6] After the purge, Trifonov's family moved from the famous House on the Embankment (just across the river from the Kremlin), into a kommunalka.[7]

At school, Trifonov edited class newspapers, composed poetry and wrote short stories. He spent 1941 and 1942 in Tashkent, capital of the Uzbek SSR. During the war, in 1942–45, he worked as a fitter in a factory in Moscow. In 1945, he edited the factory's newspaper.[8]

Career

Trifonov attended the Maxim Gorky Literature Institute between 1944 and 1949. His first novel, The Students, was published in Novy Mir in 1950, and won him the Stalin Prize.[8][9] His next novel, The Quenching of Thirst, appeared only in 1961.[10]

In 1964–1965, Trifonov published the documentary novel The Campfire Glow, in which he described the revolutionary activities of his father and his uncle Evgeny (the excerpts of whose diaries are included in the narrative) before the revolution and during the civil war.[11] Later, he wrote several stories which were publisher in the Novy Mir, including Vera and Zoyka (1966) and Mushroom Autumn (1968).[10]

The cycle Muscovite novellas, started in the late 1960s, marked the beginning of the "Urban Prose", portraying the everyday lives of city dwellers.[10][12] The cycle includes the novels The Exchange (1969), Preliminary Conclusions (1970), The Long Good-Bye (1971), Another Life (1975), and The House on the Embankment (1976).[13] The latter novel describes the lives of the residents of the House on the Embankment in the 1930s, many of whom were killed during the Great Purge of 1937.[14]

In 1973, Trifonov published the historical novel The Impatient Ones. The novel describes the assassination of Alexander II of Russia in 1881 by the People's Will party. It was nominated for Nobel prize by Heinrich Böll.[15][16] Another historical novel, The Old Man, was published in 1978.[17] The collection of short stories House Upside Down and the novel Time and Place were published after Trifonov's death in 1981.[18] Trifonov's last major work, The Disappearance, was only published in 1987.[19]

Trifonov was also known as a sports journalist. He published numerous articles on sports; for almost twenty years, he was a member of the editorial board of the magazine Physical culture and sports.[20]

Personal life

Trifonov was married from 1949 to 1966 to the opera singer Nina Nelina (born Nurenberg), the daughter of the well-known artist Amshey Nurenberg.[21] The marriage was ended by Nelina's death. In 1951, they had a daughter, Olga (Tangyan). Later, he was married to Anna Pavlovna Pastukhova, an editor. In 1975, he married for the third time, to Olga Romanovna Miroshnichenko (b. 1938), a writer formerly married to the writer Georgy Beryozko. Their son Valentin was born in 1979.[22]

After Trifonov's death, Olga Miroshnichenko-Trifonova published her late husband's diaries and notebooks, going back to the writer's schooldays and ending in 1980. She published her memoirs of Trifonov in 2003.[2]

Death

Yury Trifonov died in 1981, aged 55, from a pulmonary embolism after an operation to remove a kidney. He is buried in Moscow's Kuntsevo Cemetery.[23]

Legacy

A memorial plaque dedicated to Trifinov was opened on the House on the Embankment in 2003.[24]

English translations

Notes

  1. ↑ Cornwell & Christian 1998.
  2. 1 2 3 4 Shrayer 2007.
  3. ↑ Partridge 1990.
  4. 1 2 Far Eastern affairs, Issues 5–6 (Institut Dal’nego Vostoka, Akademimaya nauk SSSR, Progress, 1989)
  5. ↑ Shrayer 2007, p. xlviii.
  6. 1 2 3 "Evgeniya Abramovna Lurie–Trifonova" (in Russian). House on the Embankment museum.
  7. ↑ Gillespie 2006, p. 106.
  8. 1 2 Gillespie 2006, p. 3.
  9. ↑ In 1974, Trifonov remarked (see Trifonov, Iu. (1974). "V kratkom — beskonechnoe". Voprosy literatury (in Russian). 8: 171–194.): "One can not renounce his books. But one can go away from them. Sometimes very far away."
  10. 1 2 3 Laychuk, J.L. (1989–1990). "Yury Trifonov's male protagonists in the 'test of life'". New Zealand Slavonic Journal: 109–125. JSTOR 40921332.
  11. ↑ Gillespie 2006, p. 6.
  12. ↑ Other authors to whose work the term urban prose has been applied include Andrey Bitov and Alexander Vampilov, see e.g. Dobrenko, Evgeny; Tihanov, Galin (2011). A History of Russian Literary Theory and Criticism: The Soviet Age and Beyond. University of Pittsburgh Press. p. 215. The term was contrasted with the village prose of the 1960s and 1970s.
  13. ↑ McLaughlin, Sigrid (1982). "Jurij Trifonov's House on the Embankment: Narration and Meaning". The Slavic and East European Journal. 26 (4): 419–433. JSTOR 307735.
  14. ↑ See Leving, Yuri. "Power and Candy". New Literary Review. 75: 258–290. for a discussion of the intertextuality in The House on the Embankment
  15. ↑ Croft 2006, p. 8.
  16. ↑ See also Böll, Heinrich. "Der Zar und die Anarchisten. Zeit des Zögerns. Jurij Trifonows großer Geschichtsroman aus dem alten Rußland". Die Zeit (in German).
  17. ↑ Gillespie 2006, pp. 9,140.
  18. ↑ Gillespie 2006, p. 9.
  19. ↑ Gillespie 2006, p. 180.
  20. ↑ Kolesnikov, Andrey. "Cold war on the ice – 4". Chastny Korrespondent.
  21. ↑ Gillespie 2006, p. 4.
  22. ↑ Gillespie 2006, pp. 4,213.
  23. ↑ "Author Yuri Trifonov". Daytona Beach Morning Journal. Apr 2, 1981.
  24. ↑ Lavretskaya, A. (01.03.2003). "Yury Trifonov returns to the House on the Embankment". Kommersant. Check date values in: |date= (help)

References

Further reading

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