Ugochukwu-Smooth Nzewi

Ugochukwu-Smooth Nzewi
Occupation Curator

Ugochukwu-Smooth C. Nzewi is an artist, art historian, and curator. He is currently Curator of African Art at Dartmouth College's Hood Museum of Art.

Early life and education

Nzewi was born in Nigeria[1] and raised in Enugu.[2] He studied sculpture with El Anatsui at the University of Nigeria, Nsukka, where Nzewi received a bachelor's degree in fine and applied art in 2001.[1][3] After graduating, he traveled internationally for six years as an independent artist and curator.[3] In this time, he curated the Nigerian Afrika Heritage Biennial three times.[4] He later said that his travel experiences made him sympathetic to artists. In 2006, Nzewi moved to Cape Town, South Africa, where he worked on a yearlong postgraduate program in Museum and Heritage Studies at the University of Western Cape while serving as an artist-in-residence in Woodstock, Cape Town.[3] The next year, he moved to Atlanta, Georgia, to begin a doctorate degree in art history at Emory University, which he completed in May 2013.[3] He wrote his dissertation on the Dak'Art biennial's influence on contemporary African art.[1] The following August, Nzewi became the Dartmouth College Hood Museum of Art's curator of African art.[1] During his doctoral years, he curated at Atlanta's High Museum (2009) and received Robert Sterling Clark and Smithsonian fellowships.[4]

Career

Among his considerations as a curator, Nzewi cites the importance of art history and his curiosity in how artworks reveal collective social imagination through expression and interpretation. He expressed interest in learning from the creative process as artists make intellectual decisions about their work on reflection of how it will be received by others and the market.[3] He has published essays in multiple academic art journals, contributed to Grove Art Online, and co-edited a volume on independent African art initiatives.[4]

Nzewi served among the three curators of the 2014 Dak'Art biennial, which focused on themes of globalization (expressed through African ideas of communalism) and anonymity.[3] Dak'Art had served as important link between the African and international art world, and Nzewi helped to situate the show's own role in developing "pan-African internationalism".[4] In mid-2015, Nzewi curated a monthlong survey of African art at the Richard Taittinger Gallery in New York. The show was named after the 1967 comedy-drama film Guess Who's Coming to Dinner?[2][5][6]

References

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