True History

True History

A 17th-century fictional portrait of Lucian of Samosata
Author Lucian of Samosata
Country Syria, Roman Empire
Language Greek
Genre Satire, Science fiction

True Stories or True Fictions (Ancient Greek: Ἀληθῆ διηγήματα, Alēthē diēgēmata; Latin: Vera Historia) is a parody of travel tales, by the Greek-speaking Assyrian author Lucian of Samosata, the earliest known fiction about travelling to outer space, alien life-forms and interplanetary warfare. Written in the 2nd century, the novel has been referred to as "the first known text that could be called science fiction".[1][2][3][4][5] The work was intended by Lucian as a satire against contemporary and ancient sources, which quote fantastic and mythical events as truth.

Lucian's True Stories eludes a clear-cut literary classification. Its multilayered character has given rise to interpretations as diverse as science fiction, fantasy, satire or parody, depending on how much importance scholars attach to Lucian's explicit intention of telling a story of falsehoods.

Plot

In True Stories, Lucian and a company of adventuring heroes sail westward through the Pillars of Hercules (the Strait of Gibraltar) in order to explore lands and inhabitants beyond the Ocean, are blown off course by a strong wind, and after 79 days come to an island. This island is home to a river of wine filled with fish and bears, a marker indicating that Heracles and Dionysus have traveled to this point, along with normal footprints and giant footprints.

Shortly after leaving the island, they are lifted up by a whirlwind and after seven days deposited on the Moon. There they find themselves embroiled in a full-scale war between the king of the Moon and the king of the Sun over colonisation of the Morning Star, involving armies including such exotica as stalk-and-mushroom men, acorn-dogs ("dog-faced men fighting on winged acorns"), and cloud-centaurs. Unusually, the Sun, Moon, stars and planets are portrayed as locales, each with its unique geographic details and inhabitants. The war is finally won by the Sun's armies clouding the Moon over. Details of the Moon follow; there are no women, and children grow inside the calves of men.

After returning to Earth, the adventurers become trapped in a giant whale; inside the 200-mile-long animal, there live many groups of people whom they rout in war. They also reach a sea of milk, an island of cheese and the isle of the blessed. There Lucian meets the heroes of the Trojan War, other mythical men and animals, and even Homer. They find Herodotus being eternally punished for the "lies" he published in his Histories.

After leaving the Island of the Blessed, they deliver a letter to Calypso given to them by Odysseus explaining that he wishes he had stayed with her so he could have lived eternally. They then discover a chasm in the Ocean, but eventually sail around it, discover a far-off continent and decide to explore it. The book ends rather abruptly with Lucian saying that their adventure there will be the subject of following books.

Analysis

Satire

In one view Lucian intended his story to be a form of literary criticism, a satire against contemporary and ancient sources which quote fantastic and mythical events as truth. He mentions the tales of Ctesias, Iambulus, and Homer and states that "what did surprise me was their supposition that nobody would notice they were lying." Many characters and events are exaggerated to ridiculous ends to mock the original tellings. As noted by classicist B.P. Reardon, "above all, it is a parody of literary 'liars' like Homer and Herodotus".[6] Consequently, Lucian goes on to state that the story recounted in True History is about "things I have neither seen nor experienced nor heard tell of from anybody else; things, what is more, that do not in fact exist and could not ever exist at all. So my readers must not believe a word I say."[7] He justifies the title by arguing that his is the only truthful mythological story ever written, inasmuch as it is the only one that admits that it is all lies. He also promises a sequel but it is not known if such a sequel exists.

Science fiction

Contrary to some classicists, modern science fiction critics do not necessarily view the satirical streak of the story as conflicting with modern notions of science fiction. The defining element of science can rather be found in Lucian's specific, but effective approach to identify false values and misidentifications in contemporary philosophy, which was very much the general term of science then.[8] Additionally, they point out that True Stories was written in response to another work that also contained science fictional elements, that is Antonius Diogenes’ lost Of the Wonderful Things Beyond Thule, whose protagonist also reached the Moon.[8] The estranging feel of the story as a defining SF element has also been noted:

...True Stories may properly be regarded as SF because Lucian often achieves that sense of "cognitive estrangement" which Darko Suvin has defined as the generic distinction of SF, that is, the depiction of an alternate world, radically unlike our own, but relatable to it in terms of significant knowledge.[3]

According to Grewell, whose definition of science fiction focuses on the struggle between supposedly superior and inferior life forms, "part of the tale that qualifies it as science fiction, rather than as fantasy or imaginative fiction, involves Lucian and his seamen in a battle for territorial and colonization rights:[1]

"The king of the inhabitants of the Sun, Phaethon," said Endymion king of the Moon, "has been at war with us for a long time now. Once upon a time I gathered together the poorest people in my kingdom and undertook to plant a colony on the Morning Star which was empty and uninhabited. Phaethon out of jealousy thwarted the colonization, meeting us halfway at the head of his dragoons. At that time we were beaten, for we were not a match for them in strength, and we retreated. Now, however, I desire to make war again and plant the colony."[8]

In sum, typical science fiction themes and topoi appearing in True Stories are:[3]

A middle position seems to be taken up by the English critic Kingsley Amis, who acknowledged the SF and satirical character of True Stories at the same time:

I will merely remark that the sprightliness and sophistication of True History make it read like a joke at the expense of nearly all early-modern science fiction, that written between, say, 1910 and 1940."[9]

Modern equivalents, combining science fiction and parody in equal measure, may be found in Voltaire's Micromégas and the works of Douglas Adams.

In addition to the above, it should be noted that the book is an early expression of the idea of crossing the Atlantic and exploring lands which might lie on its other side - some 1400 years before Columbus.

See also

References

  1. 1 2 Greg Grewell: “Colonizing the Universe: Science Fictions Then, Now, and in the (Imagined) Future”, Rocky Mountain Review of Language and Literature, Vol. 55, No. 2 (2001), pp. 25–47 (30f.)
  2. ↑ Swanson, Roy Arthur:
    Lucian of Samosata, the Greco-Syrian satirist of the second century, appears today as an exemplar of the science-fiction artist. There is little, if any, need to argue that his mythopoeic Milesian Tales and his literary fantastic voyages and utopistic hyperbole comport with the genre of science fiction; ...
  3. 1 2 3 Fredericks, S.C.: “Lucian's True History as SF”, Science Fiction Studies, Vol. 3, No. 1 (March 1976), pp. 49–60
  4. ↑ Georgiadou, Aristoula & Larmour, David H.J in their introduction:
    "...Lucian's Verae Historiae ("True Histories"), a fantastic journey narrative considered the earliest surviving example of Science Fiction in the Western tradition."
  5. ↑ Gunn, James E. denotes True History as "Proto-Science Fiction", p.249
  6. ↑ B.P. Reardon: Collected Ancient Greek Novels, p.619
  7. ↑ B.P. Reardon: Collected Ancient Greek Novels, p.622
  8. 1 2 3 Swanson, Roy Arthur: “The True, the False, and the Truly False: Lucian’s Philosophical Science Fiction”, Science Fiction Studies, Vol. 3, No. 3 (Nov. 1976), pp. 227–239
  9. ↑ Kingsley, Amis: "New Maps of Hell: A Survey of Science Fiction", New York 1960, p.28

Further reading

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