Steve Tomasula

Steve Tomasula
Occupation Author, academic
Nationality American
Period Contemporary
Genre Novel, short story, criticism
Spouse Maria C. Tomasula
Website
www.stevetomasula.com

Steve Tomasula is an American novelist, critic, short story, and essay author known for cross-genre narratives that explore conceptions of the self, especially as shaped by language and technology.

Biography

Steve Tomasula grew up along the industrial border between East Chicago and the South Side of Chicago, the locale used as the setting in his novel IN&OZ.[1] He received his M.A. and Ph.D. in English from the University of Illinois, Chicago. While working on his first novel, he taught in the Middle East. After his return, he joined the faculty at the University of Notre Dame, where he is currently a professor of English.[2] Tomasula lives with his wife, the artist Maria Tomasula, in South Bend, Indiana, and Chicago.

Works

Tomasula is the author of four novels, a collection of short fiction, and numerous essays and short stories.[3] His fiction is a hybrid of multiple genres (experimental literature, historical fiction, science writing, poetry) and is noted for its use of visual elements and nonfiction narratives.[4] His writing can be characterized as postmodern and has been called a "reinvention of the novel" for its formal inventiveness, play with language, and incorporation of visual imagery.[5] Though he is mostly known for his novels, his short fiction and essays also take up similar themes, especially the depiction of the self as a construction of society.[3]

His first novel, Vas: An Opera in Flatland (with design by Stephen Farrell) is an adaptation of Edwin Abbott's 1884 novel Flatland: A Romance of Many Dimensions. It uses Abbott's characters Square and Circle and the flat, two-dimensional world in which they live to critique contemporary society during the rise of genetic engineering and other body manipulations.[6] His second novel, The Book of Portraiture (with design by Robert Sedlack) is a prequel to VAS. It tells the story of "portraiture" in chapters that move across several centuries, for example: a desert nomad inventing an alphabet to depict himself in words; a Renaissance painter depicting nobility; and a 20th-century security expert using surveillance cameras and data-mining techniques to compose portraits of employees.[7] TOC: A New-Media Novel is a multimedia novel published on DVD and as an iPad app (with design by Stephen Farrell, programming by Christian Jara, and contributions from 15 other artists, composers, musicians, and animators).[8] A collage of text, animation, music, and other art forms, TOC explores competing conceptions of time that shape human lives: historical time, cosmic time, geological time, personal and biological time.[9] IN&OZ is an allegory of four artists (a designer, poet, composer, and photographer) and an auto mechanic. It has been compared to George Orwell's Animal Farm for its class-consciousness as it follows the story of people trying to find a way to live authentically in a world where individuality is squeezed out by mass-market thought.[10]

Tomasula's short fiction and essays have been included in many literary magazines, including McSweeney's, Bomb, and The Iowa Review. A collection of his short fiction, Once Human: Stories (Fc2, 2013; with design by Robert Sedlack and others), gathers a number of stories that are thematically linked by conceptions of the self as it is shaped by science, technology, and cultural change.

His essays on innovative and conceptual literature, body art and genetic art have appeared in journals such as The Review of Contemporary Fiction, The New Art Examiner and Leonardo. Critical volumes in which his essays have been published include The Routledge Companion to Experimental Literature (Routledge, 2012); Data Made Flesh: Embodying Information (Routledge, 2012), and Musing the Mosaic (SUNY Press, 2003).

He has given key-note addresses or invited readings from his fiction at numerous universities and institutions, including the Library of Congress in the U.S.,[11] and, in Europe, Université Paris 8 (France),[12] Plymouth University (England), Paris Sorbonne University (France),[13] and the University of Constantine the Philosopher (Slovakia).[14]

Critical reception

The American Book Review described VAS: An Opera in Flatland as "a leap forward for the genre we call 'novel.'"[15] Also in The American Book Review, the literary historian Steven Moore wrote that The Book of Portraiture is "brilliant.... The overarching theme of representation and self-portraiture, from cave art to computer code, gives this novel a historical sweep that is breathtaking." [16] Bookforum described it as "a grand historical account," explaining that The Book of Portraiture "reimagines what the novel, particularly the historical novel, might mean in the digital world, and it does so with verve, gusto, and style." [17] TOC: A New-Media Novel received a Gold Medal, Best Book of the Year in the eLit Awards, and the Mary Shelley Award for Excellence in Fiction.[18] Tomasula's short fiction was awarded the Iowa Prize for most distinguished work published in any genre; it was also published in the 2005 Harper Collins anthology of Year's Best SF and other anthologies.[19] Tomasula's novels are the subject of numerous scholarly and critical conference panels and essays including The Body of Writing: An Erotics of Contemporary American Fiction by Flore Chevaillier,[20] and How We Think: Digital Media and Contemporary Technogenesis by N. Katherine Hayles.[21] In 2011 he was named a Howard Fellow.[22]

Bibliography

References

  1. ↑ Frelik, Pawel (2012). "Afterward: Pawel Frelik Talks with Steve Tomasula." IN & OZ. Chicago: University of Chicago Press. pp. 145-151.
  2. ↑ University of Notre Dame, faculty page. Retrieved June 28, 2013.
  3. 1 2 Johnston, (Jhave) Davis (2012-08-23). "A Video Interview with Steve Tomasula". Electronic Book Review. Retrieved June 28, 2013.
  4. ↑ David Banash, "Conclusion: From the Twentieth-Century's Cutting Edge to the Twenty-First-Century Copy," Collage Culture: Readymades, Meaning, and the Age of Consumption. NY: Rodopi, 2013.
  5. ↑ Thacker, Eugene (August 2007). "The Book of Portraiture: A Novel." Leonardo, MIT Press. Vol. 40, Number 4. pp. 403-404.
  6. ↑ Vanderborg, Susan (Fall 2008). "Of 'Men and Mutations': The Art of Reproduction in Flatland." Journal of Artist Books. Issue 24. p 4-11.
  7. ↑ Wark, McKenzie (June/July/Sept 2006). "The Book of Portraiture by Steve Tomasula." Bookforum. Vol. 12, No. 2. p. 55.
  8. ↑ TOC: A New-Media Novel. Retrieved June 28, 2013.
  9. ↑ Pellegrin, Jean-Yves (April–June 2010). "Tactics Against Tic-Toc: Browsing Steve Tomasula's New Media Novel." Études anglaises: revue du monde Anglophone (Paris) Vol. 62 No. 2. pp. 174-190.
  10. ↑ Olsen, Lance (July/August 2004). "The Wizard of Outré." American Book Review. pp. 17+.
  11. ↑ The Library of Congress, Electronic Literature Showcase, April 2013
  12. ↑ Seminar with Steve Tomasula, Université Paris 8
  13. ↑ Transatlantica: revue d'études américaines, Vol. 1, 2009.
  14. ↑ Department of English and American Studies, Word and Image in Contemporary Culture, Univerzity Konštantína Filozofa v Nitre.
  15. ↑ Fleisher, Kass (Jan./Feb. 2004). "Word Made Flesh and Blood." American Book Review. Vol. 25, No. 2. pp. 3-4.
  16. ↑ Moore, Steven (November/December 2006). "A Brilliant Stretch of Time." American Book Review, Vol. 28, No. 1. p. 16.
  17. ↑ Wark, McKenzie (June/July/Sept 2006). "The Book of Portraiture by Steve Tomasula." Bookforum. Vol. 12, No. 2. p. 55.
  18. ↑ Award Recipients, The Media Ecology Society.
  19. ↑ Year's Best SF 10, New York: Harper Collins, 2005.
  20. ↑ Chevaillier, Flore (2013). The Body of Writing: An Erotics of Contemporary American Fiction. Columbus: Ohio State UP.
  21. ↑ Hayles, N. Katherine (2012). How We Think: Digital Media and Contemporary Technogenesis. Chicago: University of Chicago Press.
  22. ↑ George A. and Eliza Gardner Howard Foundation, Fellows, Brown University.
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