Steve Locke
Steve Locke (born 1963) is an African American artist who explores figuration and perceptions of the male figure, and themes of masculinity and homosexuality through drawing, painting, sculpture and installation art. He was born in Cleveland, Ohio, raised in Detroit, Michigan and is currently living and working in Boston, Massachusetts where he teaches at Massachusetts College of Art and Design.
Education
Locke spent the Summer of 2002 at Skowhegan School of Painting and Sculpture in Skowhegan, Maine. He received his MFA from the Massachusetts College of Art and Design in 2001 and holds Bachelor's degrees from Boston University and Massachusetts College of Art and Design.[1]
Career and work
Locke’s art explores the meaning applied to male portraiture. His works comprise several portraits of men - for almost a decade, he has reworked the particular gesture of a man with his tongue hanging out of his open mouth. "It’s hard to make a painting of a man and not have him look important. So I came up with this weird gesture," Steve Locke explained in an interview with the Institute of Contemporary Art, Boston. "I like that they’re not heroic, and not attached to any body,"[2] he said of his pieces, which straddle the line between sculpture and painting. "They’re floating around in the atmosphere, waiting to possess somebody, or get inside your head and transform you." He aims to "make paintings of men who were vulnerable, or exposed, without using the obvious trope of nudity."[3] His work provokes broader social, sexual and art historical conversations.
He currently teaches at Massachusetts College of Art and Design in Boston.[4] Locke was awarded the Art Matters grant, visiting Istanbul to see the Blue Mosque and the Hagia Sophia with a specific interest in exploring themes such as patterning, decoration, calligraphy, and wall painting in 2007.[5] In 2008, he was the visiting professor and artist in residence at the Savannah College of Art and Design. Since his first solo exhibition in 1996, Guys with Ties and other Portraits – New Paintings, at the Noonan Gallery in Cambridge, MA, Locke has been the subject of several exhibitions including 'Some Men at the Patricia Doran Gallery in Boston, MA (2000), Rapture/New Work at Samsøn Projects in Boston, MA (2009), Companions at Mendes Wood in Sao Paolo, Brazil (2009), there is no one left to blame, curated by Helen Molesworth at the Institute of Contemporary Art in Boston, MA, traveled to the Museum of Contemporary Art Detroit (2013), and that last time we touched the water at the Hudson Opera House in Hudson, NY (2015). He has been in several group exhibitions including superSalon at Samsøñ Projects in Boston, MA (2004) White Boys, curated by Hank Willis Thomas and Natasha L. Logan, at the Cantor Fitzgerald Gallery Haverford College (2013), and Recent Acquisitions at Leslie-Lohman Museum of Gay and Lesbian Art NY (2013). He was awarded the Pollock-Krasner award in 2014.[6] He is represented by Samsøñ Projects in Boston, Massachusetts.[4]
References
- ↑ "Steve Locke Homepage". Stevelocke.com. Retrieved 2015-05-09.
- ↑ "Steve Locke | April 4—May 10, 2015". Hudsonoperahouse.org. 2013-12-13. Retrieved 2015-05-09.
- ↑ There is No One Left to Blame, Steve Locke, 2014
- 1 2 "Steve Locke". Samsonprojects.com. Retrieved 2015-05-09.
- ↑ "Archived copy". Archived from the original on May 28, 2015. Retrieved May 27, 2015.
- ↑ http://www.pkf.org/recent_grantees.html
External links
- Official website
- Artandeverythingafter.com
- Samsonprojects.com
- http://www.pkf.org/recent_grantees.html
- http://louiscomforttiffanyfoundation.org/artists_2013/artist.php?key=Steve-Locke
- https://icaboston.wistia.com/medias/wzp69sd0tj
- http://www.massart.edu/Steven_Locke.html
- http://art.yale.edu/SteveLocke
- http://artforum.com/inprint/issue=201309&id=43615§ion=boston
- http://www.artinamericamagazine.com/reviews/steve-locke/
- http://drainmag.com/imaging-lazarus-the-undead-in-contemporary-painting/
- artcritical.com: http://www.artcritical.com/2014/11/12/steve-locke-on-robert-gober/
- http://www.artpapers.org/feature_articles/feature1_2013_1112.htm