Roman Republican portraiture
Roman Republican portraiture was practiced during the period of the Roman Republic (500–27 BC). Examples of portraiture, both sculpture and painting, are more abundant for the Imperial period. Republican portraiture is characterized by verism influenced by Hellenistic portraiture, and survives mainly as marble and bronze sculpture. Roman portrait busts are thought to derive in part from death masks or funerary commemorations, as elite Romans displayed ancestral images (imagines) in the atrium of their home (domus).
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The bronze bust of Lucius Junius Brutus, the Capitoline Brutus in the Musei Capitolini, dated late 4th century BC to early 3rd century BC
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The Orator, c. 100 BC, an Etrusco-Roman bronze statue depicting Aule Metele (Latin: Aulus Metellus), an Etruscan man wearing a Roman toga while engaged in rhetoric; the statue features an inscription in the Etruscan alphabet
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Scipio Africanus, bronze bust, mid 1st century BC
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The Grave relief of Publius Aiedius and Aiedia, 30 BC, Pergamon Museum (Berlin)
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Arles bust, marble bust found in the Rhone River near Arles, c. 46 BC
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Roman, Republican or Early Imperial, Relief of a seated poet (Menander) with masks of New Comedy, 1st century BC – early 1st century AD, Princeton University Art Museum
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The Patrician Torlonia bust depicting Cato the Elder, 1st century BC
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Veristic portrait bust of an old man, head covered (capite velato), either a priest or paterfamilias (marble, mid-1st century BC)
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Head of an old Roman, ca. 60 BC. The realistic rendering of old age (baldness, face and neck wrinkles) corresponds to the esthetic ideal of the end Republic.
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The so-called "Togatus Barberini": a Roman senator holding the imagines (effigies) of deceased ancestors in his hand. Marble, late 1st century BC; head (not belonging): middle 1st century BC.
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A funerary relief with members of the gens Vibia, late 1st century BC.
See also
References
Bibliography
- Ranuccio Bianchi Bandinelli & Mario Torelli, L'arte dell'antichità classica, Etruria-Roma, Utet, Turin 1976.
- Pierluigi De Vecchi & Elda Cerchiari, I tempi dell'arte, volume 1, Bompiani, Milan 1999