Ray Campi

Raymond Charles "Ray" Campi (born April 20, 1934), is an American rock and roll musician sometimes called "The King of Rockabilly". He first recorded in the mid-1950s. Campi's trademark is his white double bass, which he often jumps on top of and "rides" while playing.

Biography

He was born in Yonkers, New York. After his family moved to Austin, Texas in 1944, Campi began a lifetime of performing and recording music in numerous American genres, including folk, country, and rock and roll as well as rockabilly. Early on he recorded on Domino Records.[1] In the 1950s Ray Campi recorded for several labels, including Dot Records, and recorded the first tribute record to the 1959 Buddy Holly plane crash, 'The Ballad of Donna and Peggy Sue', backed by the Big Bopper's band. He also worked with many of the most prominent pioneers of rock and roll music, including Bill Haley, Buddy Holly, and Gene Vincent.

He rarely concentrated on his musical career exclusively, working a wide variety of jobs, notably twenty-five years, from 1967, spent as a high-school teacher in Van Nuys, California. He has fiercely criticized the mainstream music industry, in particular its connections with drug culture.

His musical career took off in the early 1970s when he was rediscovered by Ronnie Weiser, the owner of Rollin' Rock Records. Campi began touring Great Britain and Europe and has regularly played festivals there ever since. He has also recorded with German, Finnish, British and Dutch rockabilly bands over the past two decades, and has produced his own albums with artists such as Rosie Flores, Bobby 'Fats' Mizell and Ian Whitcomb. Campi continues to perform and record with his longtime musical associates Kevin Fennell (his lead guitarist since 1977), Rip Masters on piano since the 1970s, and others.

Recognition

Ray Campi is a member of the Rockabilly Hall of Fame.

Early Discography

Many of Ray Campi's earliest 1950s recordings were not issued until the 1980s and 1990s, mostly on European albums. But the following were issued on 45-rpm and, in some cases, 78-rpm. "Catapillar" was considered his most popular record until his revival in the 1970s.

References

  1. ↑ "RECORDING INDUSTRY". Handbook of Texas Online. The Texas State Historical Association. Retrieved 2009-06-28.

External links

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