Pennie Smith

Pennie Smith should not be confused with television presenter and newsreader Penny Smith.
Pennie Smith
Born about 1949
London, England
Education Twickenham Art School
Occupation Photographer

Pennie Smith (born in London) is an English photographer, known for having photographed several rock musicians. She specialises in black-and-white photography.

Smith attended Twickenham Art school in the late 1960s, studying graphics and fine art. With others, she collaborated with graphic designer Barney Bubbles and music journalist Nick Kent in producing Friends magazine from 1969 to 1972. In 1970 she designed the sleeve for the Pink Fairies debut release Never Never Land. Her first major photographic commission was to cover a 1970s Led Zeppelin tour. Smith went on to work at the NME as staff photographer until the early 1980s.

In her career, Smith has photographed some well-known rock musicians including: Led Zeppelin, The Rolling Stones, The Who, Iggy Pop, Sweet, The Clash, The Jam, The Slits, Siouxsie Sioux, Debbie Harry, U2, Morrissey, The Stone Roses, Primal Scream, Manic Street Preachers, Radiohead, Blur, Oasis, David Smith and The Strokes.

In addition to her portrait work she has covered tours with musicians, including a photograph of The Clash's Paul Simonon smashing his bass guitar on the stage in New York City during a 1979 tour.[1][2] The photograph went on to be used on the cover of the Clash album London Calling, designed by Ray Lowry, and received Q magazine's "Greatest Rock 'n’ Roll Photograph of All-Time" award in 2002.[3]

Smith's work has appeared on the covers and pages of the NME, on album sleeves, promotional material and has featured in books. In 1980 her best selling book, The Clash, Before and After, was published.[4]

In late 2009 multiple images by Smith were included in the "Who Shot Rock & Roll" exhibit of rock photography at the Brooklyn Museum.

In Jan 2010 Smith's London Calling image was issued on a postage stamp by the Royal Mail.[5]

Smith currently lives and works in a disused railway station in West London, which she bought and converted into a studio while she was a student, and freelances in black and white reportage photography.

References

  1. Green, Johnny; Barker, Garry (2003) [1997]. A Riot of Our Own: Night and Day with The Clash (3rd ed.). London: Orion. pp. 195–196. ISBN 0-7528-5843-2. OCLC 52990890.
  2. Sweeting, Adam. "Death or Glory". Uncut. October 2004. p.70.
  3. Judd, Terri (24 January 2002). "One Hundred Timeless Rock'n'roll Moments, and the Photographers Who Turned Them into Icons". The Independent. London.
  4. Smith, Pennie (1980). The Clash: Before and After. Boston: Little, Brown. ISBN 0-316-80169-0. OCLC 8034340.
  5. "Classic Album Covers – British Design on stamps 7 January 2010". Norvic Philatelics. Retrieved 2010-01-08.
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