Johann Fischart

Johann Fischart.

Johann Baptist Fischart (c. 1545 – 1591) was a German satirist and publicist.

Biography

Fischart was born, probably, at Strasbourg (but according to some accounts at Mainz), in or about the year 1545, and was educated at Worms in the house of Kaspar Scheid, whom in the preface to his Eulenspiegel he mentions as his cousin and preceptor. He appears to have travelled in Italy, the Netherlands, France and England, and on his return to have taken the degree of doctor juris at Basel.[1]

Most of his works were written from 1575 to 1581. During this period, he lived with, and was probably associated in the business of, his sister's husband, Bernhard Jobin, a printer at Strasbourg who published many of his books. In 1581 Fischart was attached as advocate to the Reichskammergericht (imperial court of appeal) at Speyer. In 1583, he married and was appointed Amtmann (magistrate) at Forbach near Saarbrücken. He died there in the winter of 1590–1591.

Influence

Thirty years after Fischart's death, his writings, once so popular, were almost entirely forgotten. Recalled to the public attention by Johann Jakob Bodmer and Gotthold Ephraim Lessing, it was only around the end of the 1800s that his works came to be a subject of academic investigation, and his position in German literature to be fully understood.[1]

Fischart studied not only ancient literature, but also the literature of Italy, France, the Netherlands and England. He was a lawyer, a theologian, a satirist and the most powerful Protestant publicist of the counter-reformation period; in politics he was a republican. His satire was levelled mercilessly at all perversities in the public and private life of his time, at astrological superstition, scholastic pedantry, ancestral pride, but especially at the papal dignity and the lives of the priesthood and the Jesuits. He indulged in the wildest witticisms, the most extreme caricature, obscenity, double entrendre; but all this he did with a serious purpose.

As a poet, he is characterized by the eloquence and picturesqueness of his style and the symbolical language he employed. He treats the German language with the greatest freedom, coining new words and turns of expression without any regard to analogy, and displaying, in his most arbitrary formations, erudition and wit.

Works

Das glückhafte Schiff von Zürich (title page)

Fischart wrote under pseudonyms; such as Mentzer, Menzer, Reznem, Huidrich Elloposkleros, Jesuwalt Pickhart, Winhold Alkofribas Wustblutus, Ulrich Mansehr von Treubach, and Im Fischen Gilts Mischen. There is doubt whether some of the works attributed to him are really his. More than 50 satirical works, in both prose and verse, remain considered his authentic work.

Among works believed to be his are:

He also wrote a number of smaller poems. To Fischart also have been attributed some Psalmen und geistliche Lieder which appeared in a Strasbourg hymn-book of 1576.

Notes

  1. 1 2 Weinberg, Florence M. (1986). Gargantua in a Contex Mirror: Fischart's View of Rabelais. New York: Peter Lang Publishing. p. 1.

References

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