Jennifer Lines
Jennifer Lines is a Canadian theatre and television actress.
Lines graduated with a Bachelor of Fine Arts in Theatre from the University of Victoria.[1] She has starred in productions at the Arts Club Theatre,[2][3] Bard on the Beach,[4][5] Vancouver Playhouse[6] and the Belfry Theatre. She has played in Beyond Eden, The Amorous Adventures of Anatol, A Little Night Music and Hello Dolly at the Vancouver Playhouse.[1] Her stage credits for the Art Club include It's a Wonderful Life, The Real Thing, Here on the Flight Path and Sylvia.[1]
Lines has received several Jessie Richardson Theatre Award nominations. She was nominated for a Jessie Richardson Award in 2014 for the category of Outstanding Performance by an Actress in a Supporting Role for Small Theatre for her performance in Whose Life Is It Anyway? staged by Realwheels Theatre.[7] Lines has been fascinated by Shakespeare's plays since she was a young woman.[8]
Lines was praised by the Globe and Mail for her gender-bending portrayal of Horatio in the Bard on the Beach's 2013 staging of Hamlet.[9] The Georgia Straight has praised Lines for both her technical skill and for being "emotionally present" as an actress.[10] The Province calls Lines' performance "classic."[11] Vancouver Sun calls Lines one of "Vancouver's brightest stars of the theatre."[12]
Selected stage credits
- Simone in Après Moi, staged by Ruby Slippers Theatre in association with BoucheWHACKED! Theatre Collective (2015).[13]
- Horatio in Hamlet, staged by Bard on the Beach (2013).[9]
- Olivia in Twelfth Night, staged by Bard on the Beach (2013).[10]
- Mary Bailey in It's a Wonderful Life, staged by Arts Club Theatre (2012).[11]
- Mimi in Mimi or a Poisoner's Comedy, staged by Touchstone Theatre (2010).[14]
- Beatrice in Much Ado About Nothing, staged by Bard on the Beach (2010).[15]
- Cleopatra in Antony and Cleopatra, staged by Bard on the Beach (2010).[16]
- Luciana in A Comedy of Errors, staged by Bard on the Beach (2009).[17]
- Ariel in The Tempest, staged by Bard on the Beach (2008).[18]
- Annie in The Real Thing, staged by StoppardFest (2007).[19]
- Cressida in Troilus and Cressida, staged by Bard on the Beach (2006).[20]
- Rosaline in Love's Labour's Lost, staged by Bard on the Beach (2005).[21]
- Mistress Ford in Merry Wives of Windsor, staged by Bard on the Beach (2004).[22]
- Margaret in Much Ado About Nothing, staged by Bard on the Beach (2004).[23]
- Adriana in A Comedy of Errors, staged by Bard on the Beach (2003).[24]
- Nerissa in The Merchant of Venice, staged by Bard on the Beach (2003).[25]
- Katherine in Henry V, staged by Bard on the Beach (2002).[26]
- Maria in Twelfth Night, staged by Bard on the Beach (2002).[27]
- Julia in The Two Gentlemen of Verona, staged by Bard on the Beach.[28]
- Maria in Love's Labour's Lost, staged by Bard on the Beach (1997).[29]
- Mopsa in The Winter's Tale, staged by Bard on the Beach (1997).[30]
- Margaret in Much Ado About Nothing, staged by Bard on the Beach (1996).[31]
- Jessica in The Merchant of Venice, staged by Bard on the Beach (1996).[32]
References
Citations
- 1 2 3 "Jennifer Lines". Touchstone Theatre. 10 May 2016.
- ↑ "Theatre Review: It's a Wonderful Life" Vancouver Sun Retrieved January 16, 2009
- ↑ "Jennifer Lines and Bob Frazer in the Arts Club Theatre Company's production of It's a Wonderful Life". Edmonton Journal. Retrieved 9 May 2016.
- ↑ "Bard on the Beach: Fresh breeze blows through spirited study of Tempest" Vancouver Sun Retrieved January 16, 2009
- ↑ Thorkelson, Erika. "Will's Wake: Love of Shakespeare alive and well 400 years after his death". Vancouver Sun. Retrieved 9 May 2016.
- ↑ "A little night music" Georgia Straight Retrieved January 16, 2009
- ↑ "Nominations for the 32nd Annual Jessie Richardson Awards". The Cultch. 23 May 2014. Retrieved 10 May 2016.
- ↑ Thorkelson, Erika (30 March 2016). "Will's Wake: Love of Shakespeare Alive and Well 400 Years After His Death". Ottawa Citizen. Retrieved 9 May 2016.
- 1 2 Lederman, Marsha (9 July 2013). "A Superb Hamlet for Modern Times on Show at Bard on the Beach". The Globe and Mail. Retrieved 9 May 2016.
- 1 2 Thomas, Colin (27 June 2013). "Bard on the Beach's Twelfth Night is Heavy on Concept". The Georgia Straight. Retrieved 9 May 2016.
- 1 2 Barr, Catherine "Cat" (10 December 2012). "It's a Wonderful Life and Dean Paul Gibson Sparkle for the Holidays in Vancouver". The Province. Retrieved 9 May 2016.
- ↑ Waber, Angelika (3 August 2015). "Ignore critics: Bard on the Beach is great". Vancouver Sun. Retrieved 10 May 2016.
- ↑ Oliver, Kathleen (29 January 2015). "Après Moi and The List Provide a Glimpse Into Quebec's Vibrant Theatre Scene". The Georgia Straight. Retrieved 9 May 2016.
- ↑ Rabinovitch, Andrea (13 November 2010). "Stylish Romp With a Deadly Outcome in Mimi or a Poisoner's Comedy". Vancouver Observer. Retrieved 9 May 2016.
- ↑ "Much Ado About Nothing". Vancouver Plays. June 2010. Retrieved 10 May 2016.
- ↑ Warner, Andrea (1 July 2010). "Antony and Cleopatra". The Writerly Life. Retrieved 10 May 2016.
- ↑ Oliver, Kathleen (15 June 2009). "Bard on the Beach Creates a Giddy Comedy of Errors". The Georgia Straight. Retrieved 9 May 2016.
- ↑ Thomas, Colin (3 July 2008). "Magic and Music at Heart of Meg Roe's Tempest". The Georgia Straight. Retrieved 9 May 2016.
- ↑ Prokosh, Kevin (20 January 2007). "StoppardFest's Funny, Bracing Opener The Real Thing". Winnipeg Free Press. Retrieved 9 May 2016.
- ↑ Bevington, David (2015). "Additions and Reconsiderations". Troilus and Cressida. Bloomsbury. p. 127. ISBN 9781472584731.
- ↑ O'Connor and Goodland 2011, p. 126.
- ↑ O'Connor and Goodland 2011, p. 177.
- ↑ O'Connor and Goodland 2011, p. 220.
- ↑ O'Connor and Goodland 2011, p. 36.
- ↑ O'Connor and Goodland 2011, p. 169.
- ↑ O'Connor and Goodland 2011, p. 77.
- ↑ O'Connor and Goodland 2011, p. 342.
- ↑ O'Connor and Goodland 2011, p. 352.
- ↑ O'Connor and Goodland 2011, p. 117.
- ↑ O'Connor and Goodland 2011, p. 360.
- ↑ Goodland and O'Connor 2011, p. 209.
- ↑ O'Connor and Goodland 2011, p. 161.
Sources
- O'Connor, John; Goodland, Katharine (2011). A Directory of Shakespeare in Performance Since 1991. New York: Palgrave Macmillan. ISBN 9781349587902.