Jabo Williams
| Jabo Williams | |
|---|---|
| Birth name | Jimmie Williams (possible) |
| Born |
ca. 1895 Birmingham, Alabama, United States (probable) |
| Died |
ca. 1953 Birmingham, Alabama, U.S. |
| Genres | Boogie-woogie, blues |
| Occupation(s) | Pianist, songwriter |
| Instruments | Piano |
| Years active | 1930s |
| Labels | Paramount |
Jabo Williams (ca. 1895 – 1953/54) was an African American boogie-woogie and blues pianist and songwriter.[1] His total recorded output was a mere eight sides, which included his two best-known "stunningly primitive"[2] offerings, "Pratt City Blues" and Jab's Blues" (1932).[1][3] Details of his life outside of music are scanty.
Career
It is generally supposed that Williams was born in Pratt City, Birmingham, Alabama, United States. However, this is based purely on references to that location, in his self-penned recording of "Pratt City Blues".[1] He may have been named Jimmie Williams,[4] and may have been born around 1895.[5] What is certain is that he relocated to St. Louis, Missouri, and was recommended to Paramount Records, by a local record store owner and scout Jesse Johnson.[3] In May 1932, Williams recorded eight tracks in a recording studio in Grafton, Wisconsin, for the Paramount label. The timing was not fortuitous, as Paramount stopped recording that year, and went out of business in 1935. Consequently, Williams's output was limited in both national distribution and the number of issued records.[1] His "Kokomo Blues," followed previous recordings of a similar style with the same refrain, but included the counting line;
One and two is three, four and five and six[6]
This partly paved the way towards the better known song, "Sweet Home Chicago".
By the late 1940s and early 1950s, some of Williams' tracks were re-issued on the American Music record label, amongst others. His playing style was somewhat unique, but such belated recognition failed to unearth Williams, whose life details remain a mystery.[1] He was recalled briefly by Henry Townsend, who stated "I knew him from down on Biddle Street and I played guitar behind him around town". He added that Williams was "an average guy and he was very entertaining... he disappeared from St. Louis and went down in Arkansas some place. I never knew what the hell happened to him."[7] According to researchers Bob Eagle and Eric LeBlanc, he reportedly died in Birmingham in 1953 or 1954.[4]
Discography
His total output consisted of the tracks, "Fat Mama Blues", "House Lady Blues", "Jab's Blues", "Kokomo Blues" Parts 1 and 2, "My Woman Blues", "Polock Blues", and "Pratt City Blues". All were included on the compilation album, Boogie Woogie & Barrelhouse Piano, Vol. 1 (1928-1932), issued in 1992 by Document Records.[8]
See also
References
- 1 2 3 4 5 "Biography by Uncle Dave Lewis". Allmusic.com. Retrieved October 4, 2011.
- ↑ Laird, Ross (1995). Tantalizing tingles: a discography of early ragtime, jazz, and novelty (1st ed.). Westport, Connecticut: Greenwood Press. p. (X) Introduction. ISBN 0-313-29240-X.
- 1 2 "Jabo Williams". Thebluestrail.com. Retrieved October 4, 2011.
- 1 2 Eagle, Bob; LeBlanc, Eric S. (2013). Blues - A Regional Experience. Santa Barbara: Praeger Publishers. p. 533. ISBN 978-0313344237.
- ↑ Jabo Williams discography, wirz.de. Retrieved 1 October 2016
- ↑ "Ko Ko Mo Blues", Jabo Williams, Paramount PM 13127
- ↑ Townsend, Henry (1999). A Blues Life (1st ed.). Urbana, Illinois: University of Illinois Press. p. 62. ISBN 0-252-02526-1.
- ↑ "Allmusic ((( Boogie Woogie & Barrelhouse Piano, Vol. 1 (1928-1932) > Review )))".