It Ain't Me, Babe (comics)
| It Ain't Me, Babe | |
|---|---|
|
Cover of the first print run, showing Olive Oyl, Little Lulu, Wonder Woman, Sheena, Queen of the Jungle, Mary Marvel and Elsie the Cow, fists raised, and the words "women's liberation." | |
| Publication information | |
| Publisher | Last Gasp |
| Format | Standard |
| Genre | Underground comix |
| Publication date | July 1970 |
| Number of issues | 1 |
| Creative team | |
| Artist(s) | Trina Robbins, Willy Mendes, Nancy Kalish, Carole Kalish, Lisa Lyons, Meredith Kurtzman, Michelle Brand |
| Editor(s) | Trina Robbins and Barbara "Willy" Mendes |
%2C_first_printing.jpg)
It Ain't Me, Babe is a one-shot underground comic book published in 1970. It is the first comic book produced entirely by women. It was co-produced by Trina Robbins and Barbara "Willy" Mendes, and published by Last Gasp.[1] Robbins and other staff members from a feminist newspaper in Berkeley, California, also called It Ain't Me, Babe, contributed.[2][3] Many of the creators from the It Ain't Me Babe comic went on to contribute to the long-running series Wimmen's Comix.[4]
Background
Female cartoonists Robbins, Mendes, and "Hurricane" Nancy Kalish (who sometimes signed her work "Panzika") were frustrated with the boy's club atmosphere of underground comix, which was dominated by male artists glorying in their depictions of sex, drugs and rock & roll — and the casual misogyny typical of those stories. The editors recruited other contributors, includeing Carole Kalish, Lisa Lyons (a cartoonist for a socialist newspaper), Meredith Kurtzman (daughter of Mad magazine creator Harvey Kurtzman), and Michelle Brand (Roger Brand's wife), who "simply knew how to draw".
Last Gasp publisher Ron Turner was interested in publishing a comic tied to the women's liberation movement, and he paid Robbins $1,000 for the publishing rights.
Publication history
The 36-page one-shot was published in July 1970. The cover of the first printing featured Olive Oyl, Little Lulu, Wonder Woman, Sheena, Queen of the Jungle, Mary Marvel and Elsie the Cow on a blue-and-fuscia background with the words "women's liberation"; the second and third covers featured the same characters on a dark-blue-and-green background.[5][6] The first print run sold 20,000 copies; the second and third sold 10,000 each.[5]
It Ain't Me, Babe was reprinted in The Complete Wimmen's Comix, published by Fantagraphics Books in February 2016.[7]
Legacy
The success of It Ain't Me, Babe led Turner to ask two of his employees, Pat Moodian and Terre Richards, who teamed with Robbins to recruit creators for another women's lib comic, which in 1972 became the Wimmen's Comix Collective.[8]
See also
References
- ↑ Hix, Lisa. "Women Who Conquered the Comics World", Collectors Weekly, 15 September 2014.
- ↑ Krensky, Stephen (2007). Comic Book Century: The History of American Comic Books (People's History). Twenty-First Century Books, p. 74 & p. 79. ISBN 0-8225-6654-0.
- ↑ Robbins, Trina. "Wimmen's Studies", comixgrrrlz.pl, 25 May 2010.
- ↑ Jacobs, Rita D (March 2016). "The Complete Wimmen's Comix". World Literature Today. 90 (2). Retrieved 9 March 2016 – via EBSCO. (subscription required (help)).
- 1 2 "Underground Comix Collection", Comix Joint.
- ↑ Arie Kaplan, Masters of the Comic Book Universe Revealed!, Chicago Review Press, 2006, p. 84.
- ↑ "The Complete Wimmen's Comix" page, Fantagraphics website. Accessed Dec. 3, 2016.
- ↑ Paul Williams, "Questions of 'Contemporary Women's Comics,'" in Paul Williams, James Lyons (eds.), The Rise of the American Comics Artist, University Press of Mississippi, 2010, p. 138.