Handspan Theatre

Handspan Theatre, Visual Theatre, Melbourne puppet company, Arts collective

Handspan Theatre 1977 - 2002 was a Melbourne puppetry collective founded by Ken Evans, Andrew Hansen, Helen Rickards, Maeve Vella, Peter J. Wilson and Christine Woodcock.

Drawing upon influences in visual arts, choreography, ensemble theatre, film-making, academic and education research Handspan was created to explore alternative forms of puppetry to add to the booth, shadow puppet or marionette shows that were prevalent in Australia at the time.

Major Handspan works would often utilise multimedia and readily filled conventional stages or more unusual site-specific spaces in their presentation. Other works offered a more intimate audience experience and were scaled to suit venues as diverse as shop front windows or a local swimming pool.

Handspan shows and those of many of their '80's contemporaries (refer: Twyla Tharp & David Byrne Songs from the Catherine-wheel; Robert Wilson - Einstein on the Beach & La Claca - Miro) led to the creation of a theatre format label: Visual Theatre - i.e. performance where visual spectacle (accompanied by silence or soundscapes) shared eminence with - and sometimes replaced - voiced text.

The collective format was perhaps a strong element of the company's success as artistic and business roles were often rotated amongst (though not exclusive to) the membership allowing for diverse professional development and load-sharing as part of the company's day-to-day business from the outset. Other well known Melbourne arts collectives at that time were the Theatre-in-Education ensemble Magic Mushroom Mime Troupe and Circus Oz.

The company went on to incorporate around its collective model gathering a board of directors, festival and corporate sponsorship, substantial government funding and many more members over the next 25 years - either as ongoing core members or as contributing participants to the production process at any given time. An annual 'dreaming meeting' would serve as both a group-devised business plan and creative agenda for the next year.

A multi-level office studio space was found and developed (in the old 'Vardar Studios' a former photographic studio at 108 Gertrude St Fitzroy where they remained for 17 years from 1978. From there, Handspan was able to add to their own performance commitments by fostering other artists work as shows in rehearsal, exhibitions, or as a 'build-to-order' collaboration. In 1995 when their building was sold, Handspan moved their studio and offices to Richmond, then finally in 1998 to join other major Arts entities in South Melbourne in the eminent Southgate Arts Precinct.

Many Handspan members developed substantial business, creative and technical professional skills and in time added their own careers as significant individuals to the Australian artscape.

Handspan's merits abound beyond Australian shores, earning several awards from touring the world stage. Possibly their most germane accolade was awarded at the 1983 Spoleto Festival, Italy for the astonishing multimedia work Secrets conceived by and devised with Nigel Triffitt. The founder of the Spoleto Festivals, composer Giancarlo Menotti, was so taken with the work during a visit to Melbourne, that he booked it for his festivals of two Worlds in Spoleto Italy (1983) and in Charleton USA (1984), where its success helped establish 3rd Spoleto Festival in Melbourne, (now renamed the Melbourne Festival).

Notable Handspan Theatre productions included:

In June 2016, a comprehensive archive of the company - its history, its people and its productions and its pictures, was launched, created by Helen Rickards and Maeve Vella: Handspan Theatre: 1977 - 2002

Books and articles

External links

This article is issued from Wikipedia - version of the 8/16/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.