Elfriede Lohse-Wächtler

Elfriede Lohse-Wächtler

Self-Portrait (c. 1930), oil on cardboard 43.0 x 45.0 cm (16.9 x 17.7 in)
Born (1899-12-04)4 December 1899
Dresden, German Empire
Died 31 July 1940(1940-07-31) (aged 40)
Pirna, Nazi Germany
Nationality German
Known for Painting
Movement Expressionist

Elfriede Lohse Wächtler (born Anna Frieda Wächtler; December 4, 1899 – July 31, 1940) was a German painter of the avant-garde whose works were banned as "degenerate art", and in some cases destroyed, by the Third Reich. She was killed in a former psychiatric institution at Sonnenstein castle in Pirna under Action T4, a forced euthanasia program of Nazi Germany. Since 2000 a memorial center for the T4 program in the house commemorates her life and work in a permanent exhibition.

Life

Elfriede Lohse-Wächtler grew up in a middle-class family, but left at the age of 16 to study at the Royal Arts School Dresden from 1915 to 1918 (fashion, then applied graphics). From 1916 to 1919, she also attended drawing and painting courses at the Dresden Art Academy. She came into contact with the Dresden Secession group 1919 and became part of the circle of friends around Otto Dix, Otto Griebel, and Conrad Felixmüller. Renting part of the studio of the latter near the Dresden city center she made a living with batiks, postcards and illustrations.

In June 1921 she married the painter and opera singer Kurt Lohse, following him to Görlitz in 1922 and in 1925 to Hamburg. The marriage was a difficult one and the couple separated several times in the following years. In 1926 Elfriede Lohse-Wächtler joined the Federation of female Hamburgian artists and art lovers, in 1928 she was able to participate in some exhibitions of the New Objectivity.

In 1929 she suffered a nervous breakdown because of financial and partnership difficulties and was committed to a psychiatric institution in Hamburg-Friedrichsberg. During the two months' stay she painted the Friedrichsberg heads, a piece of work consisting of about 60 drawings and pastels, mainly portraits of fellow patients. After her recovery and a final separation from Kurt Lohse (in 1926), she had a very creative phase. She painted numerous paintings of Hamburg's harbor, scenes from the life of workers and prostitutes, and pitiless self-portraits. But despite some exhibitions, sales, and smaller grants, she lived in grinding poverty.

Due to financial problems and increasing social isolation, she returned to her parents' home in Dresden by midyear 1931. When her mental state worsened her father admitted her to the state mental home at Arnsdorf in 1932. There she was diagnosed with schizophrenia. From 1932 to 1935 she was still creatively active, drawing portraits and creating arts and crafts. After Kurt Lohse divorced her in May 1935 she was incapacitated due to "incurable insanity".

After refusing to consent to a sterilisation she was denied the permission to go out of the hospital any more. In December 1935, she underwent a forced surgical sterilisation in the Dresden-Friedrichstadt women's hospital on the grounds of Nazi eugenicist policies. After this traumatic event she never painted again. In 1940 she was deported to the former psychiatric institution at Pirna-Sonnenstein (located in the Sonnenstein castle in Pirna), where, on July 31, she was murdered along with the majority of the other residents as part of the Nazi "euthanasia" program, Action T4. The official cause of death was "pneumonia with myocardial insufficiency". In the years of 1940 and 1941 a total of 13720 mainly mentally ill or handicapped people were gassed by Nazis in this institution formerly well known for its humanistic traditions.

A female patient. Woman with landscape., 1929.

Works

Her most creative period falls within the time of her stay in Hamburg. From 1927 to 1931 she painted some of her major works. The portraits of mentally ill people she drew in Hamburg-Friedrichsberg (1929) and Arnsdorf (1932–1935) have attracted much interest. As part of the "degenerate art" campaign by the Nazis nine of her works from the art museum Hamburger Kunsthalle and the Altonaer Museum were confiscated and presumably destroyed in 1937, as well as a large part of her paintings from Arnsdorf.

Commemoration and legacy

The rehabilitation of this long forgotten artist started with a presentation of some of her paintings in Reinbek near Hamburg. In 1994 an association for the promotion of the works of Elfriede Lohse-Wächtler was founded (Förderkreis Elfriede Lohse-Wächtler). 1996 saw the publication of the first monograph on her works, written by Georg Reinhardt. This and the exhibitions in Dresden, Hamburg-Altona and Aschaffenburg marked the beginning of a broader reception of the artist's work and fate.

In 1999 there was a stele erected in memory of her at the Saxon Hospital in Arnsdorf and a ward house named after her. In Pirna-Sonnenstein a street was dedicated to her in 2005, and since 2008 a street in Arnsdorf also carries her name. At the former hospital site in Friedrichsberg (Hamburg-Barmbek-Süd) a rose garden with a commemorative plaque was designed for her in 2004. In the development area close by another street was also given her name.

Exhibitions

These were some of the most important expositions on the work of Elfriede Lohse-Wächtler:

References

These are some of the most important works on Elfriede Lohse-Wächtler (all of them in German). For a more complete list check the German Wikipedia article on the artist de:Elfriede Lohse-Wächtler.

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