Ekatarina Velika

For other uses, see EKV.
Ekatarina Velika

EKV in 1986, from left to right Milan Mladenović, Ivan Ranković, Bojan Pečar, Margita Stefanović
Background information
Also known as Katarina II, EKV
Origin Belgrade, Serbia, Yugoslavia
Genres Post-punk, alternative rock, art rock, neo-psychedelia, rock
Years active 1982–1994
Labels ZKP RTLJ, PGP RTB, PGP RTS
Associated acts Šarlo Akrobata, Disciplina Kičme, Rimtutituki, Angel's Breath
Past members see the members section

Ekatarina Velika (Serbian Cyrillic: Екатарина Велика, English: Catherine the Great), sometimes referred to as EKV for short, was a Serbian and former Yugoslav rock band from Belgrade, being one of the most successful and influential music acts coming out of former Yugoslavia.

Initially called Katarina II (Serbian Cyrillic: Kатарина II, English: Catherine II), the band had built up a devoted following that greatly intensified and expanded after the death of its frontman Milan Mladenović in 1994, which caused the band to dissolve. The group's core consisted of singer and guitarist Milan Mladenović, keyboardist Margita Stefanović and bassist Bojan Pečar, with other members mostly remaining for comparatively shorter periods.

History

Post-punk years (1982–1986)

Following the disbandment of Šarlo Akrobata, in February 1982, Milan Mladenović (guitar, vocals) with Gagi Mihajlović (guitar), Dušan Dejanović (drums), and Zoran "Švaba" Radomirović (bass) formed the band Katarina II, named after Mihailović's unrequited love, a girl named Katarina. During the late 1982, after the performance at the cinema Topčiderska zvezda, the band was joined by the classically trained pianist Margita Stefanović. At the time, the rhythm section had changed, with Radomirović leaving to join Du Du A and Dejanović joining the heated rivals Disciplina Kičme.

The vacant drummer position was taken over by the former Grupa I member Branko Kuštrin "Mango", but after not more than a month's period he left the band, being replaced by Milan's former bandmate from Šarlo Akrobata Ivan Vdović "VD". At the same time, on early 1983, Bojan Pečar, a former VIA Talas bassist became the new band member. In the spring of 1983 the band took part in Zagreb Bienalle and received positive reviews. Their material for the debut album material was recorded soon after, featuring guest appearance by the actor Svetislav Goncić on tin whistles. The recording sessions for the material were completed in the Druga Maca studio owned by Enco Lesić however, due to a variety of reasons, most of them having to do with the poor technical equipment, the material was unusable.

The following year in RTV Ljubljana studios, the band took the offer of fellow musician Srđan Marjanović, who was the label's musical director at the time, to rerecord the material for the debut album. Katarina II eponymous debut album was eventually released in 1984, mostly featuring the lyrics written by Mladenović, except for the songs "Vrt" ("The Garden") and "Platforme" ("The Platforms") written by Mihajlović, while the music was a collaboration between the two. The tracks like "Aut" ("Out"), "Jesen" ("Autumn"), "Radostan dan" ("A Joyful Day"), "Treba da se čisti" ("It Ought To Be Cleaned"), "Ja znam" ("I Know") the band successfully linked Milan's descriptive lyrical sensibility with the energetic new wave sound. The material was produced by Đorđe Petrović and featured guest appearances by Mario Čelik on congas Film member Jurij Novoselić "Kuzma Videosex" on saxophone.

Soon after the album release, the band went through more lineup changes. Mihajlović ran afoul of the law and went to jail and after serving the punishment he was informed by the rest of the band that he was no longer a Katarina II member. However, since Mihajlović claimed rights to the usage of the Katarina II band name, he forced the band into using another one. Later he collaborated with Vlada Divljan before moving to the United States where he currently resides. Additionally, drummer Vdović left due to drug abuse problems, later joining Du Du A and the band Heroji, being replaced by the former Luna drummer Ivan Fece "Firchie". The remaining members continued working as Ekatarina Velika, after Catherine II of Russia, or EKV for short. Due to constant SFR Yugoslavia-wide touring, with frequent stops in Belgrade, Zagreb and Ljubljana, and occasional TV spots, the band's popularity had gradually grown.

At the beginning of the following year, the band recorded their second studio album, recorded at the Zagreb SIM studio and produced by Vladimir Smolec, Tomo in der Mühlen and the band members themselves. Ekatarina Velika, featuring Massimo Savić and Karlowy Wary member Tomo in der Mühlen as guests, provided the band with its first hits, "Oči boje meda" ("Honey Colored Eyes"), "Modro i zeleno" ("Indigo and Green") and "Tattoo". In accordance with the latter song, the album cover arranged by Dušan Gerzić feature the band members painted in Native American ritual body art. After the album release, on March 22, 1985, they played outside of Yugoslavia for the first time, making a positive impression at Culture Days in Turin, Italy. Another memorable concert took place in Zagreb as part of Bolje vas našli Belgrade-Zagreb band exchange.

Towards the end of 1985, Fece left the band to serve the mandatory Yugoslav People's Army service, later joining Laboratorija Zvuka, and was replaced by the Ivan Ranković "Raka" from the band Tvrdo Srce i Velike Uši. The following year, the new lineup released the third studio album S vetrom uz lice (Faced Against the Wind), proving to be the breakthrough album that turned them into bona fide stars. The album was produced by Milan Mladenović, Margita Stefanović and Dragan Čačinović, extensively using the E-mu Emulator II 8-bit sampler. With the hits "Budi sam na ulici" ("Be Alone on the Street"), "Ti si sav moj bol" ("You Are All My Anguish"), "Novac u rukama" ("Money in the Hands"), and "Kao da je bilo nekad" ("As If It Had Once Been") came some lukewarm reviews from the critics complaining about the similarities to the works of the Simple Minds.

After the album release, the band toured extensively all over former Yugoslavia, and the recording of one of the five sold-out performances at the Zagreb club Kulušić, made on November 2, 1986, was released in early 1987 on the live album EKV 19LIVE!86. The band promoted the release of the live album in Belgrade during January 1987 and triumphed at Dom Omladine with six sold-out shows. During spring of the same year, Ivan Ranković decided to leave EKV in order to form a new group Ulica Od Meseca with his old bandmates from Tvrdo Srce i Velike Uši. Ranković was replaced by the actor Srđan Todorović, a former Disciplina Kičme became the new drummer, playing his first show on April 9, 1987, at the New Rock festival held at the La Locomotive club in Paris. On autumn of the same year, the band got the Sedam Sekretara SKOJa for the achievements on the second and third studio album.

Alternative rock years (1987–1991)

During the summer of 1987, the band released the album Ljubav (Love), co-produced by the band with the Australian musician Theodore Yanni. It displayed a more guitar-oriented sound, along with stylized sleeve done by Margita and artist Vuk Vidor. Prominent tracks from the album include "Zemlja" ("Earth"), "7 Dana" ("7 Days"), "Pored mene" ("Beside Me"), "Ljudi iz gradova" ("People From The Cities"), and "Ljubav" ("Love"). It had also shown the first signs of Milan's depressive lyrics, as exemplified by song "Tonemo" ("We Are Sinking"). The album had also confirmed their live attraction status with two consecutive sold out shows at Belgrade's Pionir Hall sports arena. New extensive tour commenced in early 1988, and EKV enlisted help from Tanja Jovićević of Oktobar 1864 and Zvonimir Đukić from Van Gogh to appear as backing live musicians. Fece had also promptly rejoined the band on tour, shortly replacing Srđan Todorović before moving away to New York City in May 1988.

In January 1989, the band finished the recording sessions for the album Samo par godina za nas (Only a Few Years for Us), released during the same year, featuring guest appearances by Mitar Subotić (guitar, album production) and Tanja Jovićević (backing vocals). The critics regarded this album as a mere of the concept from the previous album. Several hits from the album include "Krug" ("The Circle"), "Par godina za nas" ("A Few Years for Us"), and "Srce" ("Heart"). Despite the mixed critics, the band were at their peak performing at the EBU-UER rock festival in Novi Sad, the 1990 Midem festival in Cannes and the first European rock music bienalle held in Toulouse. After the tour, Todorović left the band, focusing on his acting career. Bojan Pečar also decided to leave the band moving to London. The new members became the former VIA Talas, D' Boys and Piloti member Miško Petrović "Plavi" on bass and the former U Škripcu member Marko Milivojević on drums.

The sixth studio album Dum dum (Bang Bang), released in 1991, featured the Plejboj member Dušan Petrović and session musician Bata Božanić as bass players, Tanja Jovićević on backing vocals, Zvonimir Đukić on guitar and Mitar Subotić on keyboards and machines. The album, produced by Theodore Yanni, featured the prominent songs "Zabranjujem" ("I Forbid"), "Idemo" ("Let's Go"), "Dum dum" ("Bang Bang") and "Bledo" ("Pale"), inspired by the outbreak of the Yugoslav Wars and the general political and economical situation in the country. The following year, Mladenović participated in the antiwar project Rimtutituki, also featuring Električni Orgazam and Partibrejkers members, releasing the single "Slušaj 'vamo" ("Listen Up").

Mainstream rock years (1992–1994)

During the summer of 1992 the band toured with the new bassist Dragiša Uskoković "Ćima", with whom they recorded the final studio album Neko nas posmatra (Somebody Is Watching Us), released in May 1993. The album featured a more accessible and communicative sound especially present in the songs "Ponos" ("Pride"), "Jadransko more" ("The Adriatic Sea"), "Just Let Me Play Some Modern R'n'R Music" and "Zajedno" ("Together"). For the first time, the band had included a cover song on and album, "Istina Mašina" ("Truth Machine"), originally performed by the Yugoslav rock band Time. The album was produced by Mladenović and featured Srđan Todorović, Tanja Jovićević and a childer choir as guest performers.

After the album release, in September of the same year, Ekatarina Velika, Električni Orgazam, Partibrejkers and the Zagreb band Vještice performed in Prague and Berlin on the concerts entitled Ko to tamo pjeva (Who's That Singing Over There). At the time, Mladenović and Stefanović held occasional unplugged club performances, often featuring guest appearances by the Partibrejkers guitarist Nebojša Antonijević "Anton" and various jazz musicians, until Milan's departure to Brazil, where he worked on a project called Angel's Breath, together with Mitar Subotić and a line-up of Brazilian musicians. The two started recording the material partially written in 1985 when, with the guitarist Goran Vejvoda, they had several live appearances under the moniker Dah Anđela (Angel's Breath).

Breakup and post-breakup

The band resumed their activities when Mladenović returned to Yugoslavia. There were plans to make a new album, tentatively titled Ponovo zajedno (Together Again), but the idea was shelved because of Milan's health problems. EKV played what would turn out to be their last ever show on August 24, 1994 in Budva at the Pjesma Mediterana festival. The very next day Milan was held in a hospital, and it was soon discovered that he had pancreatic cancer. Barely a few months later, on November 5, 1994, Milan Mladenović died in Belgrade, at the age of 36, thus Ekatarina Velika ceased to exist.

Margita Stefanović continued working as a musician, for a short period of time performing with the cover band Kurajberi. In 1995, with Vladimir Stojanović, as an ambiental music duo EQV, she released the album Ti si sav moj bol (You Are All My Anguish), released by the Austrian record label Coop Arts Crafts Unltd. In October of the same year, EQV appeared at the Vienna Talkit festival. She had also made occasional live appearances with the bands Direktori, Glisers and Zion Banda, and appeared as guest on the albums of several Belgrade rock bands. In 1996, she appeared on the Električni Orgazam unplugged live album Živo i akustično (Live and Acoustic), and in 1998, on the fiftieth anniversary of the Universal Declaration of Human Rights signing, she appeared in Pula with Zoran Stojanović, the leader of the Zagreb band Veliki Bijeli Slon, being, along with Rambo Amadeus, the first Serbian musician to play in Croatia after the Yugoslav Wars.

During the early 1997, a posthumous live album entitled Live '88 was released, featuring the recordings of the performances from Zagreb and Novi Sad held during the 1988 tour. The Zagreb recordings, made at the Kulušić club, were announced by the rock critic Dražen Vrdoljak and featured Theodore Yanni on guest guitar. The live recordings were owned by Fece who initiated the album release. During the same year, Margita Stefanović founded the record label EKV Records and started reissuing EKV studio album with bonus material. The Ljubav reissue featured live bonus material made at the Belgrade Dom Omladine on November 13, 1991 and the 1988 Novi Sad SNP performance, Samo par godina za nas featured the live bonus tracks from the Avala fest held in September 1990 and Dum dum featured alternate and demo recordings and the 1991 Dom Omladine live tracks.

PGP RTS also contributed the CD reissuing by releasing the compilation album Kao nada, kao govor, kao more... (Like Hope, Like Speech, Like the Sea...) in 1997, featuring selected material from the latter four studio albums. During 2001 and 2002, EKV Records and IPS music reissued the rest of the band's catalog, also featuring bonus live material. The label also released the live album Kao u snu - EKV live 1991 (As If in a Dream - EKV Live 1991) featuring the Belgrade Dom Omladine 1991 performance. During the same year, a tribute album Kao da je bilo nekad... (Posvećeno Milanu Mladenoviću) (As If It Had Once Been) was released. The following year, a live tribute album Jako dobar tattoo - Tribute to EKV (A Very Good Tatto - Tribute to EKV) was released.

Ivan Vdović died of AIDS on September 25, 1992 at age 31. Milan Mladenović died of pancreatic cancer on November 5, 1994 at age 36. Bojan Pečar died of a heart attack on October 13, 1998 at age 38. Dušan Dejanović died of AIDS on November 16, 2000. On September 18, 2002, Margita Stefanović died at age 43, being the fifth band member to die prematurely.

Legacy

Ekatarina Velika is considered one of the top and most influential acts of the former Yugoslav rock scene. Of the bands heavily influenced by Ekatarina Velika, by far the most notable is Van Gogh,[1][2] which has risen to the status of one of the most popular rock acts in Serbia in the second half of the 1990s. Another band highly inspired by EKV is the alternative rock band Block Out. The band's work was also praised by Yugoslav rock veterans like Bora Đorđević[3] and Radomir Mihajlović "Točak".[4]

In 2003, a tribute album to Mladenović entitled Kao da je bilo nekad... Posvećeno Milanu Mladenoviću (Like It Happened Someday... Dedicated to Milan Mladenović) was released. The album consists of 15 covers of Mladenović's songs (14 EKV and one Šarlo Akrobata song) by a range of musicians, spanning from rock veteran Dado Topić, over EKV contemporaries like Električni Orgazam, Darko Rundek, Partibrejkers, Miško Plavi, Vlada Divljan, Del Arno Band, and Tanja Jovićević, to younger acts, like Jarboli, Darkwood Dub, Novembar, Night Shift, Block Out, and VROOM. Mladenović's former Šarlo Akrobata bandmate Dušan Kojić also appeared on the album under the pseudonym Crni Zub, participating in the cover of "Zemlja".[5]

Another tribute album, released in 2003, was a live album Jako dobar tattoo - Tribute to EKV (Very Good Tattoo - Tribute to EKV), recorded at the tribute concert held on February 22, 2003, in Zagreb's Tvornica club. The performers included Croatian bands Le Cinema, Vatra, and Urban & 4, and solo artists Massimo Savić with EKV tribute band Veliki Bijeli Slon, Darko Rundek with his Cargo Orkestar, and Električni Orgazam frontman Srđan "Gile" Gojković, also with Veliki Bijeli Slon. The album consists of 13 live covers, each artist performing several.

The book YU 100: najbolji albumi jugoslovenske rok i pop muzike (YU 100: The Best albums of Yugoslav pop and rock music), published in 1998, features two albums by the band: S' vetrom uz lice (ranked No. 26) and Katarina II (album) (ranked No. 68).[6] The list of 100 greatest Yugoslav album, published by Croatian edition of Rolling Stone in 2015, features three Ekatarina Velika albums: S' vetrom uz lice (ranked No. 10)[7] and Katarina II (ranked No. 29)[8] and Ekatarina Velika (ranked No. 44).[9]

The Rock Express Top 100 Yugoslav Rock Songs of All Times list, published in 2000, featured five songs by Ekatarina Velika: "Krug" (polled No.3), "Par godina za nas" (polled No.11), "Ti si sav moj bol" (polled No.41), "Zemlja" (polled No.54) and "7 dana" (polled No.86).[10] In November 2006, "Par godina za nas" was polled the Best Yugoslav Popular Music Song on the B92 Top 100 Domestic Songs list.[11] In 2011, the songs "Krug" and "Par godina za nas" were polled, by the listeners of Radio 202, two of 60 greatest songs released by PGP-RTB/PGP-RTS during the sixty years of the label's existence.[12]

The lyrics of 15 songs by the band were featured in Petar Janjatović's book Pesme bratstva, detinjstva & potomstva: Antologija ex YU rok poezije 1967 - 2007 (Songs of Brotherhood, Childhood & Offspring: Anthology of Ex YU Rock Poetry 1967 - 2007).[13]

In July 2011, the hardscape area in front of the Belgrade Youth Center was named the Milan Mladenović Place.[14] In 2012, a street in Zagreb, Milan Mladenović's city of birth, was named after him.[15]

In 2016, Serbian weekly news magazine Nedeljnik pronounced Milan Mladenović one of 100 people that changed Serbia forever.[16]

Members

Discography

References

  1. ↑ ""Đule: Živim kao sav normalan svet", interview with Zvonimir Đukić". Blic.rs. 2009-12-18. Retrieved 2011-07-20.
  2. ↑ Interview with Zvonimir Đukić, nadlanu.com
  3. ↑ "Bora Đorđević: Moj najteži hit", Standard magazine
  4. ↑ "Radomir Mihajlović Točak (Smak): “Mladi rokeri uvek iznenađuju svojom maštovitošću”", balkanrock.com
  5. ↑ Kao da je bilo nekad... Posvećeno Milanu Mladenoviću at Discogs
  6. ↑ Antonić, Duško; Štrbac, Danilo (1998). YU 100: najbolji albumi jugoslovenske rok i pop muzike. Belgrade: YU Rock Press.
  7. ↑ "Rolling Stone - Specijalno izdanje: 100 najboljih albuma 1955 - 2015". Rolling Stone (in Croatian). Zagreb: S3 Mediji (Special editidon): 34.
  8. ↑ "Rolling Stone - Specijalno izdanje: 100 najboljih albuma 1955 - 2015". Rolling Stone (in Croatian). Zagreb: S3 Mediji (Special editidon): 57.
  9. ↑ "Rolling Stone - Specijalno izdanje: 100 najboljih albuma 1955 - 2015". Rolling Stone (in Croatian). Zagreb: S3 Mediji (Special editidon): 68.
  10. ↑ "100 najboljih pesama svih vremena YU rocka". Rock Express (in Serbian). Belgrade: Rock Express (25).
  11. ↑ 100 najboljih domačih - konačan plasman at Radio B92 (Retrieved: 16 August 2009)
  12. ↑ 60 хитова емисије ПГП на 202!, facebook.com
  13. ↑ Janjatović, Petar (2008). Pesme bratstva, detinjstva & potomstva: Antologija ex YU rok poezije 1967 - 2007. Belgrade: Vega media.
  14. ↑ "Otvoren "Plato Milana Mladenovića"". B92.net. Retrieved 2011-07-20.
  15. ↑ "Milan Mladenović dobio ulicu u Zagrebu", blic.rs
  16. ↑ "100 ljudi koji su promenili Srbiju". Nedeljnik (in Serbian). Belgrade: Nedeljnik (special edition): 63.

External links

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